Louzine is a place uniting several music styles and several destinies. Men and women work there, who have come together because they master music instruments and have almost all had the same type of life: exile. Louzine is a mecca for tolerance concerning music. Gnawa music plays with rock and blues, chaâbi (traditional from Algiers) is on familiar terms with jazz, Kabyle music dances with Celtic sounds. This is where groups like Orchestre National de Barbès, Zerda, Thalweg, Gaâda, Cheikh Sidi Bémol could develop, thanks to such fecund diversity in which Breton bagpipes and North African qarqabous joyfully mingle, and free improvisation mixes with unchanging traditional chorus. All songs, be they in Arabic, Kabyle, French or English, tell about home, about love, hope, immigration, daily life, and are often full of humour.
More Like This
Robert Motherwell and the New York School: Storming the Citadel
Serial Killer Culture
Laura Aguilar: Life, the Body, Her Perspective
Joan Armatrading: Me Myself I
Fluisteraars
The Falcons
Filhos do caos
Double Around the Interlude
Tricky Memory
Anita Classic Moment Live
Song of the Last Lacandon Holy Man
Les survivants, l'impossible départ après la Shoah